The Cleveland Composers Guild
Upcoming Concerts
About the Guild
The Cleveland Composers Guild is a self-help organization
for composers living in Northeast Ohio. Its roughly 50 current members
dwell between Ashland and Ashtabula. It exists to promote their music,
primarily by sponsoring four to six concerts of member works each season.
The Guild began as a subsidiary of the Fortnightly Musical Club of Cleveland
and is now an independent 501(c)3 charitable organization. Over the past
half-century, the CCG has built an enviable record of supporting new music,
with recordings on the CRI, Crystal, Advent, and Capstone labels, and publication
series from Ludwig and Galaxy.
History
Here's how it was documented at its inception:
The origins of the Composers Guild go back to the 1920s when a small group of Fortnightly Club members met privately to perform and discuss their own works under the guidance of Charles V. Rychlik, a prominent east side teacher of violin. Over the years this interest was maintained in the Club's manuscript section. Three years ago when Mrs. Carl Corner became chairman of the group, plans to reach a larger audience in the community began to take shape. During that season the efforts of Mrs. Corner, Donald Erb, Robert Fields, now director of the Buffalo Community Music School, and many others resulted in one public concert of original Cleveland works. During the following season of 1958-59, two concerts were presented in the fall and spring. At the beginning of the current season, the manuscript section, officially rededicated as the Composers Guild, began an impressive series of public concerts which will soon number eight in all.
Fine Arts Magazine, A Weekly Guide (March 27, 1960)
as quoted in Silvia Zverina, "And They Shall Have Music: The History of the Cleveland Music School Settlement"
Cleveland, Cobham and Atherton Press, 1988
The Fortnightly Musical Club of Cleveland, a member of the National Federation of Music Clubs, was founded on January 24, 1894. Fortnightly supported the Guild for many years by providing tax exempt status, accounting services, and by commissioning a new work annually from 1974-2008. One of the closest working relationships with Fortnightly was in the annual Young People's Concert, where students from the Junior Fortnightly Musical Club and the Cleveland Music School Settlement performed works written especially for them by Guild composers. Fortnightly disbanded in 2008 but this concert still continues with the addition in recent years of professional performances of student compositions.
BACK:
Fred Koch, Bain Murray, Howard Whitaker, Julius Drossin, Klaus George
Roy; FRONT: Rudolph Bubalo, Jane Corner Young, Starling Cumberworth,
Susan Krausz, Donald Erb The 1960s and early 70s were the heyday
of the Guild. Funding was relatively plentiful, and the recording and
publication projects largely date from this time. Concerts were contracted
with big-name artists such as David Burge and the Aolian Chamber Players,
and concerts were given in locales besides Cleveland. The Cleveland
Museum of Art's May Festival helped focus attention on contemporary
music. As the 60s wore on, the relatively conservative works of the
late 50s were replaced by multimedia "happenings"; a concert
scheduled for May 5 1970 at Cleveland State University was postponed "because
of unsettled conditions in the city due to the nationwide student strike
for peace" (in the words of then-chairman Julius Drossin; Kent
State is less than an hour away.). By 1972, many of the movers and
shakers were suffering from burnout; the agenda of one meeting then
was whether or not to fold the Guild. Yet the Guild persevered. Other
groups appeared to help perform local music (we must mention here the
services of Edwin London and the Cleveland
Chamber Symphony). Since the 90s, the Guild has been undergoing
a renaissance, with more regular concerts, better publicity, and this
Web page. The detailed history of the Guild remains to be written;
right now the information resides in an archive at the University of
Akron.